We are Eclectic Sounds / aka: eclsounds – a store front in Portland, Or. We are open 7 days a week from 11 – 5 PST (by appointment)
This item is used in good condition.
Fully working with complete update from Portland Pro Audio. 6 bad voice cards were moved to the top of the keyboard range. All other functions are completely working.
The Polymoog weighs in at 81lbs. The Anvil case is another 40 plus lbs. We will ship with the case by freight for $300.00. International shipping please contact us for a quote.
Comes with the 285a foot controller.
Polymoog Synthesizer 203a
The Polymoog is the descendant of an ambitious project by Moog Music to create a large ensemble system called the Constellation. It was to include two keyboard synthesizers, the polyphonic Apollo and monophonic Lyra, and the Taurus foot pedalboard synthesizer. Although the Constellation project never made it to production, the Taurus pedalboard was released on its own, while the “Apollo Polyphonic Synthesizer” went on to become the Polymoog. It is also noteworthy that the Apollo/Polymoog project did not directly involve Bob Moog and was instead mostly designed by Dave Luce at Moog Music.
The Polymoog (model 203a) is a fully polyphonic preset-based synthesizer released in 1975. Its eight preset sounds consist of Strings, Piano, Organ, Harpsichord, Funk, Clavi, Vibes and Brass. There is also a Var (Variation) mode that allows any one of the preset sounds to be fully modified into unique and wild analog sounds using all of the available synthesis parameters on board. There’s a genuine Moog ladder filter inside with modulation, keyboard tracking and lots of LFO modulation sources. The Polymoog features a full 71-key, velocity sensitive Pratt & Read weighted keyboard that can be split into three sections, each with independent volume sliders. There is a 3-band EQ, sample-and-hold, pitch controller ribbon and a full set of envelope controls. What you won’t find, however, is patch memory or MIDI control.
Polypedal Controller 285a
An optional Polypedal board (model 285a) allows for external control of the pitch, filter, and volume via two large black foot pedals. Sustain and trigger mode can be controlled by two smaller silver foot pedals, and external sync of the Polymoog can also be controlled.
It should be noted that the Polymoogs are not true poly synths in the traditional sense. They use a ‘divide-down’ circuitry arrangement similar to certain string synths, combo organs, etc. This allows them to be fully polyphonic across the entire range of the 71-note keyboard.
Unique among Moog’s lineup, the Polymoog is not at all like the Minimoog or any of the other mono-synths Moog has become famous for. Instead, it was designed to complement Moog’s monophonic synthesizers. It’s a unique and finicky product, the brain child of David Luce instead of Dr. Bob Moog himself. But like all Moog products, this isn’t an ordinary instrument — it’s the Polymoog and it sounds fantastic for what it is. Polymoog’s have been used by Chick Corea, Blondie, Keith Emerson, Devo, Gary Numan, Prince, Herbie Hancock, Richard Tandy of ELO, Patrick Moraz, Rush, Larry Fast, Wendy Carlos, Tony Banks, Kraftwerk, Geoff Downes, Jimmy Edgar, Freddy Fresh, and Rick Wakeman of Yes.
( Due to people taking advantage of eBay / Reverb return policies; wanting to “try out and/or pilfer parts” we can no longer take returns on used gear unless it arrives damaged. Sorry for this inconvenience. We test and guarantee all gear to be 100% working unless stated otherwise )